Art in Bloom 2015

"Prayer Rug 1" by Karen S. Davies interpreted by
Patrick Kelly of Stein Your Florist Co.

The Cheltenham Art Center once again invited our floral artists to their annual Art in Bloom, Floral Interpretations of Paintings event. The event is a fundraiser benefiting many of the wonderful programs that take place all year at the art center. Six of our talented designers took to their workbenches to create their floral versions of beautiful paintings by local artists.

Stein Your Florist Co. owner/operator and designer Patrick Kelly chose to interpret “Prayer Rug One” by Karen S. Davies. Patrick chose a heavy stone container as the base of his arrangement and added matching pebbles to the surface of the pedestal to accent the dark blacks and grays of the painting. All the flora is dried and preserved, including:  millet, hydrangea, Spanish moss, branches, grasses, berries, seed pods, limonium, and heather. The dried materials have a wonderful textural look, which complimented the painting’s dimensional qualities perfectly. The painting’s artist was so impressed with Patrick’s interpretation that she made a donation and bought the piece herself! She said she simply couldn’t picture the painting without it! 

"Chaos in Purple/Blue" by Norman Soong interpreted
by Patrick Kelly of Stein Your Florist Co.

Patrick also hosted a live demonstration during the event, designing his interpretation of “Chaos in Purple/Blue” by Norman Soong for the attendees. He created a chaotic purple/blue design of his own with delphinium, agapanthus, statice, and novi belgi asters, while also picking up on the painting’s flecks of orange with hypericum berries. The arrangement is seated in a classic cobalt blue vase and accented by a bit of ming fern. The painting’s artist recorded the entire design process and the arrangement was awarded to the night’s lucky raffle winner, who was thrilled to take the floral creation home with her!

"Avelthorpe" by Dera Kapnek interpreted by
George Emberger of Stein Your Florist Co.

Stein Your Florist Co. designer George Emberger chose to interpret “Avelthorpe” by Debra Kapnek. He said was drawn to the trees in the painting and created a dark forest of his own with white branches and deep blue delphinium with pops of golden yellow solidego asters and wispy accents of bear grass. He completed his forest floor with sheet moss and dark gray river rocks. George was awarded Best in Show for Fun and Fantastic Design for his interpretation.

"Love Lies Bleeding" by Gail Fox interpreted by
Jessica Kelly of Stein Your Florist Co.

Co-operations manager of our Burlington, NJ location and designer Jessica Kelly chose to interpret “Love Lies Bleeding” by Gail Fox. Unintimidated by taking on such a large painting (it was more than five feet wide), Jessica chose a large clear glass cylinder for her design, which she filled with stones and soil, wanting to display the unseen “underground” layers. In the center of her arrangement she used red ginger, purple liatris, and birds of paradise to capture the colors and the height of the painting. At the base of her design she planted succulents and tropical plants and accented them with cut tree fern, ming fern and hypericum berries. Jessica’s interpretation was purchased by one of the attendees.

"Baggage" by Nicholas Burns interpreted by
Jennifer Kelly of Stein Your Florist Co.

Jennfer Kelly, Co-operations manager of our Burlington, NJ location, head of social media and designer, chose to interpret ”Baggage” by Nicholas Burns. Jennifer wanted to capture painting’s theme baggage, so she used several vintage suitcases to stack around the design as well as to create her arrangements in. To capture the flow of the painting she used a bundle of curly willow, draping foliages like hanging eucalyptus, springeri and Thai leaves and clusters of raffia. The flowers used are delphinium, solidego, hydrangea, spray roses, hanging amaranthus, white agapanthus, calla lilies, a pink antherium, and bird’s nest fern. She accented her bouquet with newspaper, which was also present in the original painting. Jennifer was awarded Best in Show for Mixed Media Design.

"Your Majesty" by Edwina Brennan interpreted by
William Kirk of Stein Your Florist Co.

Floral designer William Kirk interpreted “Your Majesty” by Edwina Brennan. William said that the painting reminded him of his own, sometimes chaotic, way of thinking and he thought the painting suited his design style perfectly. He choose bright blooms of bells of Ireland, dendrobium orchids, blue roses, lisianthus, and miniature carnations to pick up on the painting’s colors and captured the black swirling strokes of the painting with rings of dried grapevine. The painting’s artist was there to see William’s interpretation in person and she was touched by his vision.

"Rhythm" by Gerry Tuten interpreted by
Carl Mishinski of Stein Your Florist Co.

Our final representation from Stein YourFlorist Co. was created by apprentice designer Carl Mishinski who interpreted Rhythm by Gerry Tuten. Carl built a freestanding armature on which to create his design from Guatemalan river cane. He envisioned the painting as a tropical rainforest and covered his structure with Thai leaves, hanging eucalyptus, hanging amaranthus, leather leaf fern, ming fern, blue and black roses, and king protea. Carl is also a graffiti artist so he called upon those skills to tint some of his flora to mimic the colors of the painting. His work was one of the largest pieces at the show and its’ impressive stature created quite the buzz!

Our designers have been invited back to participate in the CCA’s event once again next spring. Two weeks prior we will draw for spots to select from the art on display and plan our designs. We are looking forward to another inspirational affair and we hope you will join us.

Follow updates for next year's event by liking us on Facebook and following us on Twitter. 

"Chaos in Purple/Blue" by Norman Soong interpreted
live by Patrick Kelly of Stein Your Florist Co.

Art in Bloom 2014

Nature's Bones

We’ve said before that floral design is an art and recently we once again had the opportunity to pair our flowery art with its more traditional counterpart, paintings and mixed media designs at the Cheltenham Center of the Arts’ second annual Art in Bloom, Floral Interpretations of Paintings.

For this year’s April 26^th event five talented Stein Your Florist Co. designers, as well as several more of the Philadelphia area’s floral artists exhibited their floriated interpretations of a variety of masterfully created paintings and mixed media art pieces at the CCA’s exhibit.

Stein Your Florist Co. owner/operator and designer Patrick Kelly chose to interpret “Nature’s Bones” by Paul Gorka. He created the floral portion of his design with blue delphinium, dendrobium orchids, Spanish moss and pothos. His design used a lot of mixed medias, awarding him Best in Show for mixed media design. The drift wood at the base was from his own backyard as well as the tall pussy willow branches. The tree branches and small pinecones were gathered from the grounds around the art center, the stones were from the pond in our flower shop, the large pinecones were from a trip to Yosemite State Park and the resin skull was a local flea market find. Patrick had a wonderful time creating his piece and said that the painting was the first one to catch his eye upon entering the art center.

Untitled 1

Stein Your Florist Co. designer George Emberger chose to interpret “Untitled 1” by Edwina Brennan. He said he was drawn to the pops of natural color and wispy freedom juxtaposed to the linear grid work in the design. George constructed his own three-dimensional grid of river cane with floral bursts of color in roses, tulips, pincushion protea, solidego, Spanish moss, ferns, seeded eucalyptus, and sprays of bear grass.

Road of the Flower

George also hosted a behind the scenes seminar before the main Art in Bloom exhibit. He did a live interpretation of “Road of the Flower” by Merle Spandorfer, designing for an audience, answering questions, and describing his interpretive process while he created his art piece. He chose a bold black container and curvaceous black branches to make the “road” of the painting pop in his design. The painting’s colors were picked up in the flowers George used:  ginger, gerbera daisies, alstroemeria, chrysanthemums, leptospermum, and springeri. The painting’s creator was there for the live demonstration and was fascinated by George’s interpretation and design process.

Living Room - Fort Lauderdale 1995

Co-operations manager of our Burlington, NJ location and designer Jessica Kelly chose to interpret “Living Room – Fort Lauderdale 1995” by Howard Silberthau. She was drawn to this painting’s deceptive simplicity, appearing as a blank canvas from afar but boasting wonderful detail and linear precision up close. Jessica chose to interpret the painting as an unfinished canvas, paying homage to the evening’s theme and created her floral design as an unfinished painting itself. Working with liatris, roses, lilies, hydrangea, cymbidium orchids, gladiolus, iris, larkspur, bells of Ireland, and peacock feathers (a signature piece in many of Jessica’s designs) she created a massive arrangement to compliment the painting’s equally massive size. Some of the arrangement’s flowers were hand painted to convey the idea of a work in progress and it was accented with brushes, a painter’s palette, a paint splattered drop cloth and other painter’s tools to finish the effect. Jessica’s design was awarded Most Creative Floral Interpretation of a Painting.

Under the Microscope

Co-operations manager of our Burlington, NJ location, head of social media and designer Jennifer Kelly chose to interpret “Under the Microscope” by Barbara Straussberg. Jennifer, who has a bachelor’s degree in bioscience and biotechnology from Drexel University, said that “this painting reminded [her] of [her] college days in the lab, staring into a microscope at the various minute wonders of a world we rarely get to see.” Playing on the “under the microscope” theme Jennifer created her design as three oversized microscope slides, complete with labels and floral specimens. The “Succulent Plantae Sp.” slide was designed with live succulent plants, fresh cut pin cushion protea, and accented with Spanish and reindeer moss and dried foliage. The “Amaryllis Hippeastrum, c.s.” slide was made with roses, pincushion protea, hyacinth blooms wired as though floral flagellum, eucalyptus, hypericum berries, tulips, cut succulents, reindeer moss, floral pods, and a cross-section of an amaryllis bulb. Finally, the “Punica Granatum, c.s.” slide was created with tulips, amaryllis, roses, pincushion protea, cut succulents, ranunculus, reindeer moss, loops of hypericum berries, Brussel sprouts, savoy cabbage, purple cabbage, and a cross-section of a pomegranate. Jennifer had the opportunity to meet the painting’s creator and she was blown away by her floral interpretation. Jennifer was awarded Best in Show for Fun and Fantastic Design.

Ruby and Friends

Our final representation from Stein Your Florist Co. was created by freelance designer Denise Emberger, who chose to interpret “Ruby and Friends” by Gillian Bedford. Loving the beach, Denise focused not on the children in the painting, but on their surroundings. She stacked bubble bowls, mimicking the frothy waves of the ocean, atop a piece of driftwood and filled them with seashells, starfish and mosses resembling kelp and other sea life. She completed her design with beautiful green cymbidium orchids, pincushion protea and a large spray of bear grass that looked as though it was plucked from the sand dunes.

Our designers have been invited back to participate in the CCA’s event once again next spring. Two weeks prior we will draw for spots to select from the art on display and plan our designs. We are looking forward to another inspirational affair and we hope you will join us.

Follow updates for next year's event by liking us on Facebook and following us on Twitter.

Stein Your Florist Co. designer Jennifer Kelly adding the
finishing touches to her flora interpretation of  Under the Microscope